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A world class guitar hero, a Grammy-nominated songwriter, an international recording artist with over a dozen acclaimed solo albums to date, and a soundtrack composer for film and television, Gary Lucas is on the move in 2009.

Dubbed "The Thinking Man's Guitar Hero" by The New Yorker, "the legendary leftfield guitarist" by The Guardian, "Guitarist of 1000 Ideas" by The New York Times, "a true axe God" by Melody Maker, and "One of the five best guitarists in the world" by the national Czech newspaper Lidove Noviny, the British world music magazine fRoots described Gary Lucas as "without question, the most innovative and challenging guitarist playing today." Rolling Stone senior editor David Fricke recently wrote: "Gary Lucas is one of the best and most original guitarists in America" in a glowing review of Gary's latest album with his band Gods and Monsters entitled Coming Clean which received 4 and 5 star rave reviews internationally. MOJO wrote: "His guitar playing is superb throughout, when he let’s fly it's breathtaking". Record Collector (UK): "A landscape of expressionistic blues, art-rock and bursts of rampant psychedelia. Revelatory is the word". Gary was also selected recently by the editors of DownBeat Magazine as one of their "Hot 66 6-Stringers", alongside John McLaughlin, Richard Thompson, B.B King, Pat Metheny, and other guitar legends. Dan Levitin, best-selling author of the book "This Is Your Brain on Music" recently called Gary Lucas "perhaps the greatest living electric guitar player".

Gary Lucas tours the world relentlessly both solo and with several different ensembles, including his longtime band Gods and Monsters, whose ranks once included the late singer Jeff Buckley. Gary co-wrote two of Jeff Buckley's most famous hits, "Grace" and "Mojo Pin", when Jeff was in his group, songs which later became the title track and the first song on Jeff's double platinum Sony album "Grace"—which MOJO recently named the #1 Modern Classic Rock Album. Gary and Jeff's early collaborations can also be heard on the recent Jeff Buckley and Gary Lucas album Songs To No One, which charted internationally with worldwide sales approaching 100,000. Other notable recent Gary Lucas releases include The Edge of Heaven—Gary Lucas Plays Mid-Century Chinese Pop, an album of Gary's lush arrangements of classic Chinese pop tunes from the 1930s, which received international raves everywhere from Rolling Stone to the Wall Street Journal to the Hong Kong Music Weekly. Gary also recently released a compilation of the best of his early band and solo work entitled Operators Are Standing By, which garnered a 4-star Mojo review which stated: "This album confirms Gary Lucas as THE psychedelic guitarist for the post-modern set." The New Yorker recently cited Gary as "an A-list musician". In the words of Diamanda Galas: "Gary Lucas is a superbad motherfucker".

Gary's major focus at present is leading his NYC-based group Gary Lucas & Gods and Monsters—a psychedelic super jam band based around his guitar playing, singing, and Grammy-nominated songwriting.

Described as "a 21st century Cream" by Rolling Stone, Gods and Monsters features Gary Lucas on guitars and vocals, with Ernie Brooks (Modern Lovers) on bass and vocals, Billy Ficca (Television) on drums, Jason Candler (Hungry March Band) on alto and tenor sax, and recent Yale graduate Joe Hendel (The Latest Show on Earth) on trombone and keyboards. They are occasionally joined on tour and on record by their friend Jerry Harrison (Talking Heads) on keyboards, who is currently producing the group's latest recordings. With their illustrious pedigrees, they comprise an art-rock supergroup, Time Out New York recently writing: "The group is mindblowing!" and The New Yorker recently hailing them as "An underground rock fan's dream team".

Gary Lucas & Gods and Monsters have toured extensively in Europe over the years, most recently the Austrian Tirol festival circuit in July 2008, the Netherlands in May 2007, and Moscow and Saint Petersburg Russia the previous spring in the company of former Talking Heads keyboardist and hit record producer Jerry Harrison (Live, OAR), who is currently producing their next studio album for release scheduled in mid-2009.  He joined the band for a 2007 South by Southwest showcase in Austin where Gary Lucas was given an unheard of double-length showcase which garnered significant press attention—and he played with them at the Bowery Poetry Club in NYC for the CMJ Festival for a show which was taped for a live double-sided DVD and CD to be released in the near future, featuring a 5.1 surround sound mix. Jerry Harrison also recently joined them at New York's Knitting Factory for a concert with Czech underground band The Plastic People, where the group was greeted backstage by both former Czech President Vaclav Havel and David Byrne.

Coming Clean, the most recent Gary Lucas & Gods and Monsters album was released last year in 4 different international editions: in Russia by Exotica Music under the title "Follow", and on Mighty Quinn in the USA, Canada, and Japan; in the UK through Side Salad/Universal; in France through Productions Speciales; and in the Benelux on DAWA Records. The album was mixed by Jerry Harrison (Talking Heads) and Harold Burgon and features vocal contributions from David Johansen (New York Dolls), sultry French superstar Elli Medeiros, and Richard Barone (Bongos). The reviews for Coming Clean have been uniformly excellent, with Rolling Stone raving: "Gary Lucas is one of the best and most original guitarists in America...a songwriter of established invention...he plays astounding guitar throughout, but always for the sake of the song". The album received 4 star reviews in MOJO, Uncut, and Record Collector, and also in France's Crossroads and Vibrations. One of the standouts on Coming Clean was Gary's song "Follow", an anthem he wrote to comfort the victims of AIDS, which was performed in 2007 at a huge rally in the gay club Crobar in Manhattan attacking the Bush administration's proposed anti-gay marriage constitutional amendment. The song was introduced and sung by Gary's friend comedienne Sandra Bernhard, who had Gary on board to back her up on guitar and introduced him to the crowd as "the guy who wrote hits for Jeff Buckley" to cheers from the audience.

In addition to being lionized by the critics, Gary's work and playing has received much enthusiastic praise from his musical peers. He recently contributed a cover of Bruce Springsteen's "Ain't Got You" to "Light of Day", a Bruce Springsteen tribute album for charity, which prompted the Boss himself to remark: "You're a phenomenal guitarist—and your version of my song is phenomenal as well!!". Gary also recently received high compliments from Lou Reed, who praised his "lovely guitar playing" on his collaborations with Jeff Buckley, described Gary's solo version of his song "European Son" as "Beyond Cool!", and told him, "I could listen to you play for hours, Gary".

In addition to Gods and Monsters, Gary co-leads with composer/musician Phillip Johnston a free jazz-oriented all instrumental 7-piece tribute band dedicated to the music of his former mentor Captain Beefheart (Don Van Vliet) featuring some of NYC's greatest improvisers Fast 'N' Bulbous, the Captain Beefheart Project. Applying a free-wheeling horn and guitar-driven approach to the knotty avant-blues/rock/jazz compositions of Van Vliet, they've made triumphant appearances at the Saalfelden Festival in Austria, the Frankfurt Jazz Festival, and the Lisbon Jazz Em Agosto Festival. Their debut album "Pork Chop Blue Around the Rind" received much favorable praise worldwide, was profiled on NPR, and charted on college radio in the US. An extensive European tour last November saw them selling out shows at the London Jazz Festival and at Amsterdam's BimHuis, as well as concerts in Bern, Vienna, Schwaz, and Llubljana Slovenia. The band have just released their second Cuneiform album "WAXED OOP (An impetuous stream bubbled up)" which received a rave review out of the box in All About Jazz, and are about to embark on a 6 date European tour, with shows in Rotterdam, Barcelona, Lyon, Vienna, Groningen, and Cologne.

Gary also played for several years as part of the reunion of Captain Beefheart alumni known as The Magic Band, performing with them at the UK's famed Glastonbury Festival, London's Shepherd's Bush Empire, a sold-out night at Royal Festival Hall, and at the All Tomorrow's Parties Festival in LA where they were introduced by Beefheart/Magic Band fan Matt Groening (The Simpsons), and in Camber Sands UK. They made several extensive UK and European tours, which took them to Amsterdam's Paradiso, Belgrade Serbia, and to Sweden, where they performed live on Swedish national television. They released a rehearsal CD Back to the Front, cited as one of the albums of the year in The Wire, a live double album 21st Century Mirror Men, and a live DVD/documentary, "Crow's Milk" with narration by the late John Peel, one of Beefheart's biggest champions. In fact, the legendary UK underground tastemaking DJ John Peel became one of Gary Lucas' biggest champions shortly after The Magic Band recorded a live session for him, subsequently spinning several cuts from Gary Lucas' solo albums on his widely listened-to program on the BBC on 2 separate broadcasts shortly before he died. Other long running media champions of Gary's work on UK radio include the well-respected legendary world music maven Charlie Gillett, who invited Gary to perform live on his 20th anniversary show, Verity Sharp and Fiona Talkington who have featured Gary's work on their BBC 3 experimental music programme Late Junction, and club music DJ king Rob Da Bank, who has repeatedly added the avant-dance music of Wild Rumpus, Gary's DJ project with DJ Cosmo, Wild Rumpus, to his popular BBC radio program.

Gary Lucas established his reputation as a guitarist's guitarist with 5 years spent playing with his childhood hero, the visionary vocalist/composer/bandleader Captain Beefheart (alias Don Van Vliet).

A graduate of Yale University, where he was a DJ and served as Music Director at WYBC FM, Gary's childhood dream of joining Beefheart's band came true when he recorded two Captain Beefheart albums in the early 80s on Virgin Records, Doc at the Radar Station (1980) and Ice Cream for Crow (1982), which featured his explosive solo renditions of Don Van Vliet's twisted instrumental compositions, "Flavor Bud Living" and "Evening Bell"—about which the latter piece Esquire wrote "Gary Lucas apparently grew extra fingers in order to negotiate his way through it." These recordings put Gary on the musical map as a force to be reckoned with, and laid the groundwork for his subsequent career.

In 1988, Gary mounted his first solo guitar show at New York's downtown mecca for avant-garde and alternative music, the Knitting Factory, and was an instant hit. The club became the launching pad for Gary's ensuing European success, as he was invited shortly after his first Knitting Factory gig to appear at the prestigious 1988 Berlin JazzFest, where a performance of his solo piece "Verklarte Kristallnacht" was broadcast live from the festival on WDR on the 50th anniversary of Kristallnacht and absolutely stunned the audience. The Berlin Morgenpost raved in a banner headline after his performance, "It is Lucas!"

To date Gary Lucas has released around 20 highly acclaimed albums in various different genres (psychedelic rock, solo acoustic, world music, electronic dance, rock-jazz, classical, ambient), played as a guest on over 50 other albums, and has performed in 37 countries around the world, from Tokyo to Trieste, from Hyderabad to Tel Aviv. He recently made his Australian debut in the company of UK electronica band Future Sound of London and returned last year for 4 triumphant shows with "The Golem" in festivals and Sydney and Melbourne. And he has been a regular visitor to London’s Royal Festival Hall (5 separate appearances) and Amsterdam’s famed Paradiso (20 separate appearances since 1980). 

He has recently expanded his touring base to Russia, and brought Gods and Monsters over for his fifth tour of Moscow and Saint Petersburg. This followed on the heels of his fourth tour there in summer 2006, where he performed his original solo guitar score accompanying the silent classic German horror film The Golem (1920) in huge landmark cinemas in Moscow and Saint Petersburg, appeared on national tv before an estimated 50 million viewers, and was profiled in the Russian edition of Rolling Stone. Since debuting his live score for "The Golem" in the company of his original collaborator, keyboardist/composer Walter Horn in 1989 at the Museum of the Moving Image on a commission from the BAM Next Wave Festival, he’s played with "The Golem" in over 20 countries all over the world—including sold-out performances at the Venice Biennale, the Walker Art Center in Minneapolis, London’s Royal Festival Hall, in Budapest, in festivals in Spain, Switzerland and Italy, opening the New York Jewish Film Festival at Lincoln Center, as part of a weeklong artist-in-residency at the Quebec City Summer Festival, and in Prague, home of the Golem. He has also performed with the film at Atlanta’s Dragon*Con, the largest science fiction festival in the world.

Gary also tours with several other music and film projects, including Sounds of the Surreal, a program commissioned by the Film Society of Lincoln Center, accompanying 3 short silent film classics by Rene Clair, Fernand Leger, and Ladislaw Starewicz, with his original guitar scores—and Monsters from the Id, where Gary improvises live soundtracks to clips from horror classics by Roman Polanski, Mario Bava, Ray Harryhausen, and others. Gary presented the European premiere of Sounds of the Surreal in Vienna in September 2007, and in February 2009 played a triumphant performance before a packed hall in the Wintergarden of NYC's World Financial Center.

Over a long performing career Gary Lucas has played and collaborated with Leonard Bernstein, Captain Beefheart, Jeff Buckley, Bruce Springsteen, Lou Reed, John Cale, Robyn Hitchock, Nick Cave, David Johansen, jazz greats Roswell Rudd, Steve Swallow, Joe Lovano, Dave Liebman, the Willem Breuker Kollektieff, Yael Naim and David Donatien, Ninet Tayeb, Anath Benais, Bob Holman, Greg Cohen, Marc Ribot, Dean Bowman, Jennifer Charles, Lee Ranaldo, Mary Margaret O'Hara, John Zorn, Peter Stampfel, Patti Smith, Lenny Kaye, Claudia Brucken (Propaganda), Paul Humphreys (OMD), Future Sound of London, Joan Osborne (Gary co-wrote Joan's Grammy-nominated song "Spider Web" from her triple platinum album "Relish"), Najma Ahktar, Karsh Kale, Essra Mohawk, Matthew Sweet, Iggy Pop, Van Dyke Parks, Jon Spencer, Mike Edison, Daniel Levitin, Peter Holsapple, Steve Wynn, Dead Combo, Adrian Sherwood, Bryan Ferry, Boris Grebentchikov, Eric Mingus, the Plastic People of the Universe, Richard Barone, Kate and Anna McGarrigle, Bob Neuwirth, Geoff Muldaur, John Sebastian, Allen Ginsberg, DJ Spooky, Damo Suzuki and Michael Karoli (Can), Dr. John, Graham Parker, Bob Weir, David Krakauer, Frank London, Steve Bernstein's Sex Mob, Medeski, Martin and Wood, Min Xiao-Fen, Sonya Cohen, Celest Chong, Jonathan Kane, Jozef Van Wissem, Fred Schneider (B-52s), Warren Haynes (Allman Brothers, Gov’t. Mule), Salman Ahmad (Junoon), Dibyarka Chatterjee, and many others. Most recently his playing can be prominently heard on former Soundgarden/Audioslave singer Chris Cornell's new album "Carry On", and he played and co-wrote a song on the new Onetwo album as well as the latest album by the young French singer Melissa Mars (Universal France). 

Some of these collaborations can be heard on his recent 20-year rarities retrospective album Improve the Shining Hour which also features excerpts of his film and tv music for ABC News. Exhibiting a flair for composing soundtrack music going back to early student films he made as a boy in both the narrative and documentary genres, Gary has gone on to score 8 documentaries for ABC shows "20/20" and "Turning Point", as well as music for Showtime and HBO documentaries. He's also produced several major label albums for composer/saxophonists Tim Berne and Peter Gordon (Columbia and Columbia Masterworks retrospectively) as well as for the French avant-rock band Tanger (French Mercury). In 2001 Gary  scored the Oscar-nominated Maysles Films documentary "Lalee’s Kin: The Legacy of Cotton" for HBO, which screened at the Museum of Modern Art in New York as part of their Maysles Films 50 Year Retrospective, and about which Variety wrote: "Gary Lucas' Delta blues guitar music adds vivid color to this report from America’s forgotten underbelly." And he’s composed music for documentaries shown on Showtime ("Trust Me"), PBS ("Mayor of the West Side", nominated for an Emmy this year), and at international film festivals ("The Legacy of Jedwabne", which was also broadcast internationally).

Additionally Gary's services as producer have resulted in several major label albums for composer/saxophonists Tim Berne and Peter Gordon on Columbia Records and Columbia Masterworks retrospectively, as well as for the French avant-rock band Tanger (French Mercury).

The breadth and scope of Gary Lucas' work is impressive, and he straddles genres with ease. His recent release in the World Music category, The Edge of Heaven, a dreamy melodic album featuring his arrangements of Chinese pop music of the 1930s, was #1 on the World Music Charts in Canada, and garnered an unbelievable amount of international attention, England's Q Magazine awarding it 4 Stars, and Mojo writing: "It is simply gorgeous." In addition, the album was chosen as one of the Best Discs of the year in France's Liberation newspaper. Gary's experiences making the album also was also the subject of a lengthy profile for the album in The Wall Street Journal, as well as an NPR interview (hear a performance of "The Wall" from NPR here). The title song from the album was featured on the soundtrack to the Bill Moyers PBS Series "Becoming American: The Chinese Experience".

Gary's latest foray into the World Music genre is a new duo album collaboration with the UK Indian-based vocalist Najma Akhtar, who has released many solo albums of her own and has collaborated in the past with Page and Plant and Andy Summers. Gary and Najma’s album "Rishte", an album fusing folk, blues, raga, rock and more, will be released on Harmonia Mundi/World Village worldwide at the end of May 2009. Advance word-of-mouth on the album from critics has been extremely favorable.

The critical raves go hand in hand with Gary's international press standing.

In the last few years Gary has been profiled and interviewed in Rolling Stone, DownBeat, the Columbia University Spectator, Record Collector, The Wire, MOJO, the International Herald Tribune, the French daily paper Liberation, featured on the cover of the Jewish Weekly Forward, and profiled in the national Dutch newspaper Het Parool.

Recent live appearances include a specially commissioned concert at the Czech Embassy in Washington DC by invitation of the Czech ambassador to the US spotlighting Gary's solo guitar arrangements of Czech classical music in honor of the 14th anniversary of the Czech Velvet Revolution (Gary is of Bohemian descent on his father's side). Gary has also made several solo acoustic tours of Spain recently, which resulted in much media appearances on national Basque radio and TV, and recently joined forces with the famous Spanish spoken word artist Bruno Galindo which resulted in a sold-out appearance in Mexico's Casa de Lago in the fall of 2008 and several very well received shows in NYC. The duo is working on a new album together scheduled for release in 2009 fusing the word with Gary's ambient music.

Gary Lucas has also lectured over the years on his life and career in music, his songwriting technique, extensive collaborations, and the music business from the inside, at the Amsterdam Music Conservatorum, Yale University (his alma mater), the University of Hawaii in Honolulu, New York University and Columbia University. He also has given guitar master classes at Amsterdam's Paradiso, the Amsterdam Music Conservatorum, and at the University of Hawaii. In March 2006 he gave a lecture and solo performance at McGill University in Montreal for a course taught by Prof. Sandy Pearlman (Blue Oyster Cult/Clash producer) and Music School Dean Don McLean entitled "Bruckner and Heavy Metal", where Gary performed his "Bruckner Fantasia" based on themes from Bruckner's 8th Symphony, which was filmed and broadcast on CTV, the Canadian national television network. He is about to return to Montreal to pla his guitar trasnscriptions of Wagner, Bruckner and Dvorak at McGill’s annual Musimars Festival, and when he returns will give a Master Class and lecture at The New School for Jazz and Contemporary Music, as part of their "Eyes of the Masters" series.

Recent soundtrack work includes an original score for "Trust Me", a Showtime documentary about a summer camp for Christian, Muslim and Jewish children, and a score for Slawomir Grunberg's award-winning documentary "Bed and Breakfast 9/11", which was shown on PBS in September last year. In addition he scored and is interviewed in Grunberg's "The Legacy of Jedwabne", which is playing the international film festival circuit and has been broadcast internationally. He also has contributed music to several BBC documentaries recently as well as a Canadian Movie of the Week, "Dragon Boys". Gary recently wrapped an original score for a new documentary about American Ivy League collegiate football, "For Love and Honor," as well as a new score for the Emmy award-winning documentary filmmaker Peter Bull for his latest film "Black-Out" concerning our dweindling resources and the myth of so-called clean coal, which was funded and commissioned by the Center for Investigative Research.

Recent collaborations include several albums with Dutch lutist Jozef Van Wissem, including "The Universe of Absence," and "Diploplia", and the pair recently performed live on the Dutch national tv network VPRO show "Free Sounds". A third album from the duo, whose unusual music combines medieval Renaissance lute stylings with Gary’s country blues National steel guitar and electronics, is due out later this year. 

Gary Lucas is also working with the UK-based DJ Cosmo (Colleen Murphy) on a new dance-oriented project called Wild Rumpus. Their first single Musical Blaze-Up sold-out it's 12-inch vinyl run in 2 days upon release in May 2007, was played extensively on the BBC and in dance programs all over European radio, received rave reviews in Time Out London, Time Out New York, and HITS Magazine, and was chosen as one of the Best of the Week by iTunes UK, who made it available for download on a special sampler alongside new tracks by Prince, Crowded House and Gwen Stefani. Gary has been performing DJ improv sets with Cosmo as Wild Rumpus in a variety of exotic locales lately, including high profile gigs in Romania and India, the London ICA, the Brussels Klindende Munt Festival. They recently made their live NYC debut before a full house at famed New York dance club Cielo. A third single "Rock the Joint" featuring UK Human Beatbox Champion Beardyman has crashed into the UK dance charts, and a new hand animated video of "Rock the Joint" by Tabitha O’Connell (Ren and Stimpy) is turning heads.

In addition, Gary recently released a new collaborative album with UK electronica ensemble The Dark Poets (James Hunter and Sarah Hilliard) "Beyond the Pale" on the Some Bizarre label. In a review of the album the Independent (UK) wrote: "Gary Lucas is possibly the world’s most popular avant-rock guitarist."

Just out from Gary Lucas is a new collaborative album with Swiss avant-garde guitarist Gerald Zbinden entitled "Down the Rabbit Hole", an epic future sound phantasmagoria without words that is racking up impressive reviews internationally. Moors Magazine (Holland) wrote:  "Sound so sophisticated and so unusual, they magically transport you without the aid of overdubs. This album is an absolute must!". 

Another new Gary Lucas project in the making is Chase the Devil, a collaborative duo devoted to spiritual roots music which pairs Gary with jazz/blues vocalist Dean Bowman (Screaming Headless Torsos, Don Byron). The duo are currently recording their debut album now with producer Steve Addabo (Shawn Colvin) with festival dates scheduled here and in Europe in 2009.

Other new silent film scoring projects include a recent commission from The Film Society of Lincoln Center (who commissioned "Sounds of the Surreal" in 2000) who have commissioned Gary for a an original solo guitar score for the 1925 Tod Browning dark crime melodrama "The Unholy Three", starring Lon Chaney, Victor McGlagen and Harry Earles, which will have its premiere at the Walter Reade Theater in NYC in mid-April.

And the Netherlands Holland Festival have commissioned a new live solo guitar score by Gary Lucas in collaboration with Dutch-Iranian composer Reza Namavar and ensemble for Abel Gance's anti-war masterpiece "J'Accuse" which will have its premiere live mid June in the Amsterdam Stadtsshouwburg.

All in all, in 2009 Gary Lucas continues to live up the credo of his favorite artist, Bob Dylan—"He not busy being born is busy dying"—by continuing to record, release and perform an astonishing variety of music in as many arenas of the global village as possible. 

Gary Lucas makes his home in New York City.

And even more info...

Gary Lucas first started playing guitar at the age of 9 on the advice of his dad ("Gary, how'd you like to play a musical instrument? How about the guitar?").

His first aspiration was to master the theme from "Exodus" which was a big hit at the time for Pat Boone and Ferrante and Teicher. Lessons however lasted only a few months as it became obvious Gary would rather not practice scales and patterns, but not before he nailed his first guitar hero Duane Eddy's statement-of-first-principles "Dance With the Guitar Man" (besides, the cheap rented practice guitar was causing major blisters to erupt). Simultaneously, as a result of scoring a perfect 100 on an elementary school musical aptitude test, Gary, on the advice of the school band director, took up the French horn which he played throughout his elementary, junior high and high school years in various all-city bands and orchestras of the Syracuse school system, before being summarily thrown out of the band for wearing sandals to rehearsals (a nascent beatnik versus an uptight fascist band director). He never was much good on the horn anyway as he barely had enough upper lip for a good embouchure.

Anyway, throughout the sixties he was in and out of various "combos" as they were then referred to, and later, "groups" and "bands" of the pickup variety. Gary has fond memories of wading through pools of vomit at Syracuse University frat houses to get paid for some of these gigs (which mainly consisted of playing 30 minute versions of "Inna Gadda Da Vida").

His senior year of high school he got a gig working in the documentary film unit of the Upstate Medical Center and scored and played on his first film assignment, "Aquatic Ecology" (narrated by childhood hero and upstate New York resident Rod Serling).

During his sophomore year of college, wherein he was employed as music director of Yale's radio station WYBC FM, he and his buddies made a pilgrimage to New York City to catch the East Coast debut performance of another hero, Captain Beefheart, an event which changed his life.

Vowing that if he ever did anything professional in music in the future, it would be to join Beefheart's Magic Band, Gary went on to interview and become fast friends with Beefheart (Don Van Vliet), until after years of hanging around backstage at his gigs, Gary summoned up the courage to reveal that yes, he played guitar and yes, he would love to audition for the Magic Band.

It was a few years before that goal would be realized; in the meantime he got a gig playing electric guitar in the European premiere of Leonard Bernstein's Mass in Vienna in 1973, along with the Yale Symphony Orchestra and assorted singers and dancers (broadcast on PBS).

A two year sojourn upon graduation to Taipei Taiwan found Gary playing with a mixed group of Chinese, Swedish and Jewish American kids (including his exclusive tee shirt manufacturer, Hank Frisch, on blues harp) called the O-Bay-Gone Band (translation: The Bullshit Band, in Taiwanese), a gig that brought them much local TV exposure. He returned to the States at the end of 1976 and immediately renewed his acquaintance with Captain Beefheart.

Upon returning Stateside Gary finally hooked up with Captain Beefheart. When he informed his parents by phone that he intended to leave his day job to concentrate on working with Beefheart, his mother replied, "The guitar?! Murray! He's talking about the guitar again!" He went on to play the solo guitar pieces "Flavour Bud Living" and "Evening Bell" on the Doc at the Radar Station and Ice Cream for Crow albums (Virgin Records), becoming a full-fledged member of the Magic Band for Ice Cream for Crow, which established his reputation as a stunning, accomplished interpreter of the highly idiosyncratic and complex Beefheart oeuvre (Rolling Stone wrote that "Lucas should receive some sort of award for finger contortion" in describing his brilliant execution of the fiendishly difficult "Evening Bell" piece, which took 6 weeks just to learn and memorize by ear). This was the first glowing review in a career marked by incredibly favorable press raves for Gary's guitar playing and later, his own music.

After touring Europe with the Magic Band at the beginning of the '80s Beefheart decided to retire from music for a life devoted to painting. Not sure how to continue his playing career after playing in what Lucas regarded as the #1 avant-garde rock band in the world, Gary decided to produce albums for other artists while biding his time to figure out his next playing move, producing two acclaimed albums for CBS Masterworks and Columbia Records by avant-sax players/composers Peter Gordon and Tim Berne respectively.

In 1988 Gary finally mounted his own solo guitar show at the mecca of New York new music, the Knitting Factory and was an instant hit. The New York Times raved, "Guitarist of 1000 Ideas" for his show which drew upon the corpus of blues, rock, jazz, folk, classical and electronic music all brought to bear with the intense showmanship which is a hallmark of Lucas' style. Through the use of digital delays Gary was able to produce the sound of a virtual one-man-band, producing orchestral textures and colors that rival an army of players.

Through the positive word of mouth that rapidly increased his reputation in New York, Gary was invited to play his solo European debut at the 1988 Berlin Jazz Festival, with the same resulting effect ("It is Lucas!" raved the Berlin Morgenpost).

Subsequently he undertook many trips abroad to perform either solo, or with his band Gods and Monsters, at rock, blues, jazz, folk and experimental music festivals, and on the theater and club circuit.