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Second Message From Gary
November 1, 1995
Hey guys...sorry it's taken so long to get back on line in the flesh
so to speak...meantime, haven't Tanya and Abner Dumoff done a great
job on my web page? Still don't have a computer to see it myself
though (and resisting the impulse to get one, Luddite that I am).
Since the last communique I've been back to Sicily with Jonathan Kane
for outdoor festival dates in and around Palermo. Great response—we
played over 5 nights to about 4,000 people in an open air
ampitheater, one night as the Gods and Monsters power trio with cool
Fabio Lannino on bass, and the other nights as a mutant interstellar
jam laboratory with the great French avant-guitarist Jean-Francois
Pauvros under the name Uncle Dundia (Fabio's kid's mispronunciation
of "Uncle Jonathan"...). Good writeup in the Sicilian newspaper
saying I was in "gran forma". I try...
Anyway, just returned from a solo tour of Holland, one of the first
countries in Europe to really embrace my playing (God Bless the
Dutch... 60's ideologies that are routinely scoffed at here by
decadent hipsters have come to mean something genuine there—quite
the liberated country in many ways) and one of my favorite places to
play. The tour coincided with the premiere tv broadcast on the Dutch
Arts Channel Kunstkanaal of a 1 hour video-documentary on my music
entitled "GUITAR UNBOUND". They broadcast the thing *6* times in one
day (blush) and I got people stopping me in the street thereafter.
The first gig was at Amsterdam's counterpart to the Knitting Factory,
the fabulous BimHuis, and in attendance were some of my longtime
Dutch supporters as well as new friends like Peter Visser, the
guitarist from the Netherlands group Betty Serveert. My base of
operations throughout was the Hotel Winston in Amsterdam, right in
the heart of the red light district—I totally recommend the
establishment to anyone looking for a relatively inexpensive lodging
in Amsterdam as well as a totally cool environment to hang. The
Winston has an adjacent bar/club called Winston Kingdom, and I did
several late night appearances there after returning from the various
gigs.
Tilburg was a real pleasure, and I did a workshop for guitarists in
the afternoon before the show. Utrecht too was another standout (I do
best in college towns...) with wall to wall supporters generating the
kind of feedback that I thrive on as a live performer.
Then it was back and onto a gig with Peter Stampfel at NY's Symphony
Space as The Du-Tels—really warm reception from an audience who I
don't think knew anything about either of us, but unfortunately we
got the hook after a half hour to let the other groups play. Peter
and I are both really proud of our twisted children's album "The
Rotten Family" and are now finalizing details with an as yet unnamed
record company for release in early '96—can't wait to spring it on
y'all, definitely some of our best work acoustically to date. Peter
and I are playing The Mercury Lounge here on Friday Dec. 1st by the
way... and this Friday Nov. 3rd Gods and Monsters return to the
Mercury Lounge headlining at around 11-11:30 pm—Emily is in great
voice and Jonathan Kane and Jean Chaine are ready to rip...Then I'm
off to San Francisco and Chicago to do "The Golem" in a solo guitar
version on a Knitting Factory supported minitour.
The gig last Sunday with original collaborator/conspirator Walter
Horn was amazing and I wish Walter was available to do more gigs with
me, he is an excellent keyboardist and improviser who should be a lot
better known (look out for his band Road Parrot who should have a CD
out next year).
The day after I return I'm hooking up with those psychedelic trip-hop
guys The Departure Lounge DJ's Adam Goldstone and Perry Brandston for
an ambient psychodrama we're calling "Veteran's Day Poppy" in honor
of the Beefheart tune and holiday—should be some unearthly noise
generated at145 Ludlow Street. The following Wednesday I've been
invited to join a stellar lineup of NYC-based performers doing their
own versions of "Amazing Grace" at the St. Mark's Church - I plan a
solo electronic instrumental take on the tune and in fact have been
integrating it into the intro to "Peep Show Bible" with Gods and
Monsters as well as making it part of the solo guitar instrumental
version of a new composition entitled "The Highest Mountain" which I
performed throughout the Dutch tour.
That's it for now—look forward immensely to seeing you/meeting you
at upcoming gigs—for the European supporters, there's an extensive
tour in the works for early February-March, details coming soon. Oh
yeah—just wrote a song with Richard Barone for Fred Schneider's
upcoming solo album on Reprise (he's recording as I write with Steve
Albini producing)...just did a cameo in an upcoming feature film
entitled "All Over Me" as a sales guy in a guitar store, set for
release in '96 (costarring Alicia from The Murmurs)...
Love you all, Gary.